Girard’s 1960 interior for New York’s La Fonda del Sol restaurant brought him wide acclaim; patrons were dazzled by its sunburst icon and the way it seemed to reappear with a wink at every turn, from matchbooks and napkins to waitstaff uniforms. In 1965, Girard was hired to help rebrand Braniff International Airways. He brought eye-catching colors into every facet of Braniff’s operation in his signature holistic fashion, from aircraft to sugar packets, seat cushions, and ticket counters.
When Girard joined Herman Miller in 1952, there was a limited appetite for color and pattern. He found inspiration working with a textile mill in Mexico, a noted collector of international folk art, developing what he called "mexidots" and "mexistripes." He would eventually create over 300 textile patterns for Herman Miller, along with wallpapers, objects, furniture, and a series of Environmental Enrichment Panels as part of the Action Office system in 1973.
Alexander Girard designs for Herman Miller remain cheery icons of postwar modernism: the Color Wheel Ottoman combines geometric pattern with soft upholstery—as cozy and inviting as a vividly hued Girard throw. Though he’s famous for his textile designs, his aesthetic approach was cohesive and transcended genres. “I have no favorite material,” he once said; “anything can be used to create beauty if handled well.”
Art is only art when it is synonymous with living.